a scrapbook of quotes & inspirations
the revulsion of literature toward the state
03.01.21
"Language and, presumably, literature are more ancient and inevitable, more durable than any form of social organization. The revulsion, irony, or indifference often expressed by literature toward the state is essentially the reaction of the permanent—better yet, the infinite—against the temporary, against the finite."
"Language and, presumably, literature are more ancient and inevitable, more durable than any form of social organization. The revulsion, irony, or indifference often expressed by literature toward the state is essentially the reaction of the permanent—better yet, the infinite—against the temporary, against the finite."
—Joseph Brodsky
from "Footnote to a Poem" in the collection Less than One
from "Footnote to a Poem" in the collection Less than One
Ai Weiwei, second panel of the triptych "Dropping a Han Dynasty Urn" 1995/2009 |
I Am (K)Not the Body
Benoit Courti - Monsieur |
the latest development of the organic
01.20.21
"Consciousness is the last and latest development of the organic and hence also what is most unfinished and unstrong."
"Consciousness is the last and latest development of the organic and hence also what is most unfinished and unstrong."
—Friedrich Nietsche
from The Gay Science
from The Gay Science
One of a series of photographs of the astronaut John Glenn taken by an automatic sequence motion picture camera during his flight on "Friendship 7." Glenn was in a state of weightlessness traveling at 17,500 mph as these pictures were taken. |
Art does not reproduce what we see
almond blossoms radiate
things outlast us
10.22.20
“Things outlast us, they know more about us than we know about them: they carry the experience they have had with us inside them and are—in fact—the book of our history opened before us.”
“Things outlast us, they know more about us than we know about them: they carry the experience they have had with us inside them and are—in fact—the book of our history opened before us.”
—W.G. Sebald
from Campo Santo, 2003
(trans. Anthea Bell)
from Campo Santo, 2003
(trans. Anthea Bell)
a universe of qualities
10.08.20
“Words have a universe of qualities other than those of descriptive relation: Hardness, Density, Sound-Shape, Vector-Force, & Degrees of Transparency/Opacity.”
“Words have a universe of qualities other than those of descriptive relation: Hardness, Density, Sound-Shape, Vector-Force, & Degrees of Transparency/Opacity.”
—Clark Coolidge
from his contributor's note to Paul Carroll's anthology The Young American Poets, 1968
from his contributor's note to Paul Carroll's anthology The Young American Poets, 1968
First page of Vladimir Nabokov’s first draft of Invitation to a Beheading |
Poetry's Impulse
09.19.20
“Poetry’s impulse to use metaphor, to discover resemblance, is not to make comparisons (all comparisons as such are hierarchical) or to diminish the particularity of any event; it is to discover those correspondences of which the sum total would be proof of the indivisible totality of existence. To this totality poetry appeals, and its appeal is the opposite of a sentimental one; sentimentality always pleads for an exemption, for something which is divisible. Apart from reassembling by metaphor, poetry reunites by its reach. It equates the reach of a feeling with the reach of the universe; after a certain point the type of extremity involved becomes unimportant and all that matters is its degree; by their degree alone extremities are joined.”
“Poetry’s impulse to use metaphor, to discover resemblance, is not to make comparisons (all comparisons as such are hierarchical) or to diminish the particularity of any event; it is to discover those correspondences of which the sum total would be proof of the indivisible totality of existence. To this totality poetry appeals, and its appeal is the opposite of a sentimental one; sentimentality always pleads for an exemption, for something which is divisible. Apart from reassembling by metaphor, poetry reunites by its reach. It equates the reach of a feeling with the reach of the universe; after a certain point the type of extremity involved becomes unimportant and all that matters is its degree; by their degree alone extremities are joined.”
—John Berger
from “Dream,” in And Our Faces, My Heart, Brief as Photos, 1982
from “Dream,” in And Our Faces, My Heart, Brief as Photos, 1982
task failed successfully
addicted to stories
a dry psyche is most skilled
03.10.20
“The stuff of the psyche is a smoke-like substance of fine particles that give rise to all other things, particles of less mass than any other sustance and constantly in motion: only movement can know movement. . . . The psyche rises as a mist from things that are wet. . . . A dry psyche is most skilled in intelligence and is brightest in virtue. . . . A drunk man, staggering and mindless, must be led home by his son, so wet is his psyche.”
“The stuff of the psyche is a smoke-like substance of fine particles that give rise to all other things, particles of less mass than any other sustance and constantly in motion: only movement can know movement. . . . The psyche rises as a mist from things that are wet. . . . A dry psyche is most skilled in intelligence and is brightest in virtue. . . . A drunk man, staggering and mindless, must be led home by his son, so wet is his psyche.”
—Heraclitus
from "I Have Looked Diligently at My Own Mind"
(trans. Guy Davenport)
from "I Have Looked Diligently at My Own Mind"
(trans. Guy Davenport)
I'm afraid I've caught poetry
03.01.20
Dennis Moore (customer) and John Cleese (shopkeeper) in a skit from Monty Python's Flying Circus, ca. 1973.
everything has already been said
02.21.20
"Everything has already been said, but since nobody listens, we must continually start again."
"Everything has already been said, but since nobody listens, we must continually start again."
—André Gide
from Le traite du Narcisse
(my translation)
from Le traite du Narcisse
(my translation)
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Early emoticons in the American humor magazine Puck in 1881. Interesting related article here. |
willfully in public
let us read and let us dance
a poem that can think its own thoughts
12.13.19
“I just try to make a poem that can think its own thoughts."
“I just try to make a poem that can think its own thoughts."
—Lisa Robertson
from an interview in the Northern Poetry Review
from an interview in the Northern Poetry Review
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Luke Stephenson, from his series "An Incomplete Dictionary of Show Birds" |
bunch of idiots
09.16.19
“An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates."
“An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates."
—Thomas Mann
from a 1929 speech reprinted in Essays of Three Decades
from a 1929 speech reprinted in Essays of Three Decades